Archive for anime

Back- with a lazy list! Top 5 anime intro songs.

Boy, vacations are immediately negated when you return to work and have to make up for everything that happened while you were gone. And then having to work Memorial Day Saturday adds insult to injury!

In any case, this is something that stemmed from a discussion between my husband and I while we were away. What would you name as your top 5 opening songs for anime? For me, this is a super easy list with very little contest, but I’m interested in hearing what all you fine people have to say on the topic.

5. Driver’s High- L’arc~en~Ciel (Great Teacher Onizuka, intro 1)

I do have a touch of bias because I just love L’arc (you’ll see them again on this list), and perhaps this song shines a little brighter because the second intro (Hitori No Yoru by Porno Graffitti) just did not fit the show (I do love Porno Graffitti as a whold but this wasn’t the right mood for GTO).  Driver’s

Onizuka's attitude is clear

Onizuka's attitude is clear

High was so appropriate for this show because Onizuka was wild and careless and aptly compared to driving in a lot of ways. The whole song just sounded like it had the right energy for the show and the lyrics were so fitting

My adrenaline’s always flowin’
so it feels like it’s me that’s gonna overheat
Even if I explode and turn into ashes
I’ll probably still be laughing, just like this

Pure Onizuka right there.

4. D-technolife by UVERworld (Bleach- intro 2)

This is not the kind of song that I would normally pick as a favorite- it’s very fast and a little too pop for my taste. What makes this song is where it featured in the show- it was right at the first half of the Soul Society arc where everything was shaken up and you were meeting several dozen new, powerful characters. D-technolife fit the emotions of Ichigo heading into an unknown battle against seemingly dozens of enemies both in tone and lyrics. The part that sticks out most in my mind is where we see Hitsugaya jumping across the water and hear:
Injured with pain and sadness, the you that cannot be healed
Don’t say words like you can’t smile or you hate people
Everything that happens in the unseen future has a meaning
So stay like this, there’ll come a time when you will realize

There is just such foreshadowing… I love it. Even though there are other songs from Bleach that I like better as music (like Rolling Star, Alones, or Asterisk), this song really sticks out as my favorite intro to date.

3. Ready, Steady, Go by L’arc~en~Ciel (Fullmetal Alchemist, intro 1)

I told you we’d be seeing L’arc again! Funny enough, we’ll be seeing FMA again too.

Ready, Steady, Go was a great intro because it got you geared up for the show- this is especially true since FMA was such an action-filled series (of course I’m talking about FMA round 1, not Brotherhood which I am equally enthralled with). It was one of those songs that went so well with the animation that I can still see it in my head whenever the song comes up. It represents Ed & Al’s fighting spirit and how well they worked together as a team to accomplish unthinkable things; no matter what happened, they were ready to go.

2. What’s Up People? by Maximum the Hormone (Death Note, intro 2)

Am I perhaps biased because this is really and truly my kind of music? It’s possible. But more than anything, what makes this my almost-favorite is the fact that it told me exactly what was coming. This song comes up after Light has been working with L to catch Kira for quite some time. Even when Light wasn’t Kira himself, the tension between him and L and the depth of their relationship was incredibly interesting. However, Higuchi was a lousy Kira, and at this point you’re starting to wonder what’s going to happen when he is

Chaotic, laughing Ryuk

Chaotic, laughing Ryuk

inevitably caught.

When the first episode with What’s Up People? came on and I saw the collage of Light’s evil, laughing faces, I knew in that very instant that Light was coming back as Kira and that L was in deep sh*t. The chaotic metal sound of the song showed several episodes in advance that all of the order and progress that was being made in the investigation was going to fall apart and that the entire scenario had gone exactly as Light intended.

Not to mention, this is just a great song to rock out to.

1. Rewrite by Asian Kung-Fu Generation (Fullmetal Alchemist, intro 4)

Asian Kung-Fu Generation is another amazing band (After Dark from Bleach is fairly high on my internal list, but not top 5 material). Out of all of the FMA intros, Rewrite is by far the song that best captures the essence of the show. The entire song is about cutting away the past and rewriting it- making your life what you want out of the chaos that it was. This is so, so suitable for the end of the show. Ed and Al have gone through so much together, their relationship has fallen apart and come back together again. They’re at a point of frustration and desperation, coming to find that life isn’t what it seemed and that they may never accomplish their ultimate goals. They want nothing more than to change their pasts and rewrite them; erase their undeniable sins and recreate life in their own way. By far, this is the introduction that has the most impact of any anime I’ve seen.

So I’m sure lots of people disagree with me; I’d love to hear all of your favorite songs! There are so many good ones to choose from.

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Death Note Movie (oh please don’t get lost in translation!)

First and foremost, I must apologize profusely for my absence this week. I will leave it as such- pinched nerves are just about the most horrible experience I have ever had in my life. Needless to say, typing has not been a priority.

In any case, this big news is way on my radar. WB wants to do a Death Note American live action release- this  could be a real boon (or bane) to the US anime fanbase. I consider this slightly different from my previous worries (see: Cowboy bebop, Full Metal Panic) in that 1) the story has easy & obvious US appeal and is largely do-able without being super cheesy and 2) the Japanese live action films are as cheesy as it comes so it’s not disgracing something new that I love. Death Note is such a great story; I would really love to see more kids into it (any excuse to talk about it at work!).

That’s all for now- my fingers are not yet fully functional and this is a total drag. On another note, I will be away starting next Wednesday so no posts for next week!

-OL

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FUNimation’s new take on fansubbing

http://www.examiner.com/x-3885-Anime-Examiner~y2009m4d20-Anime-in-a-recession

Fansubbing is a big part of the anime community and one that, like all other forms of online media sharing, has been a persistant headache (and source of cease and desist letters) for the media industry. Although many fansubbers are altruistic and stop releasing fansubs and seeding torrents once a title is licensed in NA, this of course does not limit the distribution of the title even once the dub is on the air (to be fair- my impression of dubs is less than glowing and I see the appeal in wanting to watch with the original audio without waiting for a DVD release).  Although there isn’t a huge excuse for widely distributed titles such as Bleach and Naruto, fansubs have traditionally been a haven for lesser known titles that never see their way to American soil (see my review on Ghost Hound which, if not imported, will not see the light of day in the states).

Well, FUNimation is taking a different approach to the entire situation. With the new version of Fullmetal Alchemist (AKA can’t wait can’t wait can’t wait!), they will be releasing free professional subs on their website less than a week after the initial episode airs in Japan. This is positively brilliant. The home company will be providing quality subs at almost the same speed as any fansubber and will be drawing in traffic to their website on a high attention release. Unless they absolutely butcher the subs, there is no real reason for any fansub group to pick up the title, and even if they do it will be easier to find the actual release than the fansub. The only drawback is the lack of downloads (to which I chuckle quietly since within two weeks people will have that figured out) but nonetheless, bravo FUNimation. I love to see a company work with the fan base instead of against it.

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New York Anime Festival mascot contest!!

http://www.mediumatlarge.net/2009/04/nyaf-mascot-contest.html

The New York Anime Festival will be in September again this year (25th-27th and professional registration is open, my fellow librarians!) and as far as NY/NJ local cons go, this is the one to be at. It’s not huge but this is only the third year so it’s growing. Bottom line though- it’s a great show and a ton of fun.

This year, the NYAF is again running a contest in conjunction with

Super kawaii 2008 NYAF mascot

Super kawaii 2008 NYAF mascot

theotaku.com to design the mascot for the festival. Prizes include tickets to the festival and free manga (naturally). The mascot should embrace both anime/manga and the NYC feeling (last year’s mascot was a great example!). Contestants have 2 weeks (until the 29th) to submit their entries; 10 finalists will be selected and put on display at Sakura Matsuri for voting. You can’t lose:

“(T)he winner will be profiled in the New York Anime Festival’s program guide beside their mascot, receive a copy of all of the New York Anime Festival’s 2009 merchandise, and take home 10 weekend passes. Further, sponsor Del Rey Manga will be providing the winner an instant collection — 50 volumes of manga. The contest’s nine finalists will each receive one weekend pass to the New York Anime Festival and series starter packs from Del Rey containing the first volumes of Sayonara, Zetsubou-Sensei, Orange Planet, and Yokai Doctor.”

The rules and entry form will be posted on theotaku.com starting tomorrow- so get the word out to your young otaku artists!!

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Is our children learning???

I had the opportunity to hear Eli Neiburger (author of Gamers… in the Library?) speak at a local library cooperative event yesterday, and he really struck a chord with me. Eli, of course, talks about video games in the library and how they can be used most effectively (which, if you read my archives, you will find is a secondary passion of mine right after anime/manga). The man is full of useful information and really knows how to effectively operate a consistently successful gaming program- I’m hoping that our headquarters branch was listening carefully!

In any case, there were so many similarities between arguements against games and those against manga and anime. Specifically, Eli mentioned the ever nagging library curmudgeon asking, “And what are they learning from that?” Eli’s too, too perfect answer was, “That you give a shit about them.” This is something I have wanted to say far too many times in the last 18 months! I have some wonderful coworkers who work diligently at their jobs who just feel the need to interject when I’m planning an anime marathon and ask what the value is, or feel the need to point out that they don’t “support gaming for the sake of gaming” when I’m running an open gaming day. I typically default to the old non-confrontational standby of, “Well, things are different when you work with teenagers” but I don’t know that I’m doing a good thing by saying that; perhaps I need to be more abrasive about proving the value of anime, manga, and video games- the value of getting the kids in the door.

I think these things bother me more since I am an anime/manga/video game geek; I know for a fact that my friends and I were among the smartest in our grade and that our “lazy” hobbies did not affect our intelligence (Eli makes wonderful arguments about learning capicity and games- for instance the fact that so many 8 year olds can remember all the attributes of over 500 pokemon). But maybe even more so, it bothers me that they don’t see the value in success; yes, it’s awesome that you can fill 3 storytimes a week with 30 kids and be 100% educational. However, you are only getting those kids in because of their parents. And given the fact that a good 3/4 of them stop coming after the age of 7, you’re obviously not doing too much to hook the kids themselves. As a YA librarian, I catch them at the age of 11. They’ve already had a couple of years to think of the library as a boring place with stinky books (Eli aptly points out that we’ve earned that reputation and I wholeheartedly agree). A certain number of them come in to use the computer and spend the day on Myspace when mommy and daddy won’t let them stay on, but they’re at an age where recreational reading does not have broad appeal. However, almost all of them play video games at least sometimes- this means you have an opportunity to pull in any teen that walks into the door. And once you get them to realize that fun things go on at the library, they’ll come back to see what else is happening.

I think with anime and manga, this is two-fold. Nowhere near as many kids are into the otaku scene, but the ones who are also fit the archetype for the teen most likely to come to the library giving you a broad pool to draw from with minimal effort. And when they do come in, they take out stacks of books- manga and otherwise (any public librarian will tell you that their career is judged by two numbers- event attendance and circ stats). There is no question that there is little to no educational value in my monthly anime club. We cosplay, we play Japanese video games, and we do suikawari. I’d say we were exploring Japanese culture if they didn’t teach me more than I teach them. But I fill anime club every single month and I see those kids all month long because they know that I give a shit about them.

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Casting asians as asians??? My stars!

http://splashpage.mtv.com/2009/04/09/leonardo-dicaprio-to-cast-japanese-pop-group-smap-in-ninja-scroll/

As if it’s not painfully obvious by now with my running dialogue about terrible miscasting of anime characters, I have a special distaste in the deepest cockles of my heart for the use of sub-rate caucasian actors and actresses playing inherently asian roles (okay, you can count Spike out because he’s not asian, but Keanu is going to suck big time anyway).

Well, here comes a bit of different news for once. For an upcoming live action adaptation of Ninja Scroll, the five members of Japanese idol band SMAP are being considered. I’ve seen several Japanese films where the members have acted (granted, as is noted in the article all five have not been in theatrical releases together before but I don’t see that as having much of an effect, especially stateside where no one but the super otaku has a damn clue who they are) and they are quite good at their roles. Moreover, I’m just ecstatic to hear that there is an actual consideration that an asian can accurately play an asian role. It’s not that it’s always a big deal, but in the case of something like Ninja Scroll or Avatar, the very fact that the characters *are* asian is a big part of the story.

This is not to say that the film adaptation won’t stink. I’m quite confident that it will- so confident, in fact, that if it even succeeds in the slightest I’ll consider it a success. In fact, I don’t see a live action adaptation of Ninja Scroll thriving over here at all which will be a bit depressing considering it’s one of those classics. But hey, there’s a little hope, right?

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Next up on the big screen- Full Metal Panic

http://www.aceshowbiz.com/news/view/00023348.html

Continuing with the classic hollywood theme of not being original in any way, shape, or form, the great manga/anime series Full Metal Panic is now being

You can't seriously be considering Zac Efron...

You can't seriously be considering Zac Efron...

picked up for a live-action theatrical release by Mandalay. For those not in the know, FMP is a action/comedy about young military nut who is stationed protecting a high school girl (of course meaning that he has to go through the motions of a “normal” life in high school, hence the comedy aspect). It’s not one of my all-time greatest titles but it’s definitely up there on the list and definitively taught me the Japanese word for “ouch” (itai!). Hence my immediate dread when I read something like “Zac Efron has shown his interest in this movie”. Zac Efron? Really? I just threw up in my mouth a little. Why oh why do they insist on ruining the things I love so dearly?

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Anime Review: Ghost Hound

I think it’s important to note up front that this is an import review- I love this show but I don’t think Ghost Hound will ever get licensed in North America because it’s just so stylized (though it did wrap up in Japan last year, so there is some hope).

Ghost Hound is Production I.G.’s 20th anniversary collaboration with Shirow Masamune. This alone should give you an idea of the feel of the show; there is a definite Ghost in the Shell vibe present (which I think is a good thing). Masamune came up with the idea for the show in 1987- there is a short manga series (2 volumes) that was published but largely this is a stand-alone anime.

Ghost Hound is primarily the story of three boys in the small, rural town of Suiten (located in a remote area of Kyushu). The story primarily focuses on Tarou, the son of the local sake brewer who was abducted along with his older sister as a young child and still suffers psychological aftereffects from experiencing both the kidnapping and his sister’s death. 11 years have passed and Tarou (now 14)  still flashes back to the incident, trying desperately to remember what his sister said to him in the days before she died.  Over the

Yeah, it's a creepy show.

Yeah, it's a creepy show.

course of his therapy, and with the help of two other boys who both experienced traumas, Tarou learns how to astrally project into what is called the “Unseen World”- the world of spirits. However, as this occurs creatures from the Unseen World are beginning to appear in the normal world and causing some issues.

This is not just another supernatural anime- I’ve been watching a lot of “spirit” anime lately (Bleach, xxxHolic, Zombie Loan) and this one is wholly different. At parts it is almost like a horror anime; there are distortions which make events very creepy and the way in which Tarou repeatedly relives his sister’s death is quite jarring. There is a great deal of talk about psychology and various forms of psychotherapy- these get much more involved as the series progresses. There is also a lot of Japanese traditional folklore and spirtuality involved here. The show has a great creepy sci-fi vibe that is perfect for an older watcher, not for young teens or anyone with a short attention span. Moreover, it may in fact give you nightmares (or at least weird dreams- it did this to me for three nights!).  Well worth a watch, even though it is hard to get your hands on. Should not be missed if you are a fan of Masamune’s work!

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RIP- Anime Insider

*sigh*

This is going to be the second big loss that my YA periodical collection has suffered this year. First EGM ceases publication (leaving me with a big hole to hopefully fill assuming we get refunded for the year- not a lot of neutral ground gaming mags) and now my ever-popular, always in circulation Anime Insider. In fact, Wizard has already unceremoniously pulled it from their website- so much for the listing on my guide to anime clubs. It’s not that it was entirely unexpected given the cuts that Wizard has been making recently. It’s just that they kind of owned the anime news mag market since the demise of Newtype. Yes, I get Shonen Jump, but that does not come close to filling the slot that Anime Insider served. Plus they had some of the greatest pictures to use for decoration by my manga rack once they were ready for discard! Grrrr. I hate seeing such a high use periodical go down in flames, but I guess the people just aren’t buying. I sincerely hope we get a refund for the balance of the year, but even if we do I don’t see many good replacements. :(

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Anime Clubs @ your library- a resource guide

I get a lot of questions from both coworkers and outside colleagues about where they can get information or resources on anime for running a club at their library. I know that it can be hard to navigate if you’re not into the scene (or worse, if you hate it!) so I wanted to put out an annotated list of killer resources for running your club.

First and foremost- anime club organizations

There used to be three. Now there are two- small but so very useful especially when you want screening permissions. ADV used to run ADVocates, which was a seriously awesome program. Unfortunately, much like everything else these days, the budget was cut. However, I’m still working with two really great program Operation Anime and Stuf for Clubs. Both of these are great programs that will not only help you get screening rights but send you various titles and publications. No school or library anime club should be without these wonderful corporate sponsors.

Secondly, the online resources for the non-otaku

In my experience, if you haven’t done your research and aren’t putting forth a significant effort your little otaku will, in fact, eat you alive. This may be in the form of showing you Yaoi without warning (yes, this actually happened) or this may result in you being dressed up as an unseemly or embarassing anime character bit by bit (fun fact: it takes less than 5 minutes for a group of teenagers to costume an unsuspecting person). I can’t recommend Anime for Libraries enough- this is a prime source of reviews targeted at school or public librarians. Manga Blog is an unending source of manga related goodness that will help you find out what’s happening as well as reviews. Familiar Diversions is another great source of reviews, especially since she posts watch-alikes. Anime News Network is always a great place to turn to for news, though if you’re non-otaku you may get lost in the sheer amount of articles about things you’ve never heard of or care about.

Third- the print resources

I am still deeply in mourning over the loss of Newtype. Simply put, it was the single most kickass anime mag ever published. But we must move forward and thankfully there are still some awesome publications in print. I like to call it my short list of periodicals that you need to have if you have a decently sized otaku population: Shonen Jump, Shojo Beat, and Anime Insider . (this was true when I posted this on Tuesday, but no more as Anime Insider is now belly-up- OL 3/27) The first two are going to give you teen level manga chapters (great for the library on a tight budget) as well as news- might I add they circ like crazy. Anime Insider is a larger source of anime and manga news- frankly it’s the primary news resource since Newtype left us.  To a lesser extent, Otaku USA can be a good resource; it’s limited to a US viewpoint which is both positive and negative. Their website is well worth a look.

Finally- running a club!

Just some general tips for you from my experiences both in my branch and beyond.:

1. Don’t limit yourself! Anime club does not just have to be about anime and manga. Introduce elements of Japanese culture- this makes for great news events and cultural awareness.

2. Play up to otaku culture. Anime events are pretty universally high attendance once you have a group established. Things I’ve done with my club that are outside of the immediate realm of anime include suikawari, cosplay, and asian food events.

3. If you’re discussing a specific title, it is so important that you read through it fully first. The drawings are as important as the words, no less how the words are presented (as my supervisor once said, somehow “shit” is a lot worse when it’s 2 inches tall and outlined in a huge bubble). A 13+ title might not work for all 13 year olds- work with the group you have!

I’m sure I’m forgetting something, and if I remember anything else I’ll add on. Feel free to throw your own tips into the comments.

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